Brittany J. Green(she/her(s)) (b. 1991) is a North Carolina-based composer, performer, and educator. Described as “a creative force of attention-seizing versatility” (The Washington Post) and “cinematic in the best sense” (Chicago Classical Review), Brittany's music works to facilitate collaborative, intimate musical spaces that ignite visceral responses. The intersections between sound, video, movement, and text serves as the focal point of these musical spaces, often questioning and redefining the relationships between these three elements. Recent works engage sonification and black feminist theory as tools for sonic world-building, exploring the construction, displacement, and rupture of systems.

Brittany’s research and creative interests include contextualizing the work of Julius Eastman through the lens of queer and critical race theory. Her music has been featured at concerts and festivals worldwide including the Boulanger Initiative’s WoCo Fest, the Society of Composers National Conference, New York City Electronic Music Festival, SPLICE Institute, and Experimental Sound Studio. She has presented research at the North Carolina Music Educators Association Conference, East Carolina University’s Research and Creative Arts Week, and the Darkwater Women in Music Festival. Her collaborators include the International Contemporary Ensemble, JACK Quartet, Transient Canvas, and the Emory University Symphony Orchestra. She has held residencies with Copland House, TimeSlips, and the Young Composer’s Project.

Highlights of the 2024-2025 season include performances with CSO MusicNow, Fayetteville Symphony Orchestra, Wheeling Symphony, Chicago Sinfonietta, Rebekah Heller, and Mark Stevens alongside premieres by the Louisville Orchestra, Jacksonville Symphony Orchestra, Alarm Will Sound, the American Pianists Association and Black Echoes//Brick Ripples, an audio-visual interactive installation created in collaboration with media artist Kate Alexandrite.

Brittany’s music has been awarded the Alarm Will Sound Matt Marks Impact Fund (2023), American Academy of Arts and Letters’ Charles Ives Scholarship (2022), ASCAP Foundation’s Morton Gould Award (2021), and New Music USA’s Creator Development Grant (2021). She holds a BM in Music Education from the University of North Carolina at Pembroke and a MM in Music Composition and Theory from East Carolina University. She is currently in residence at Duke University, pursuing a Ph.D in Music Composition as a Deans Graduate Fellow. In her free time, Brittany enjoys reading poetry, watching basketball, video games, and spending time in front of the bonfire. 

Learn more at www.brittanyjgreen.com.

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Brittany J. Green

Composer
A creative force of attention-seizing versatility...She can light up expansive orchestral landscapes or dig deep with vivacious chamber works.
Michael Andor Brodeur, The Washington Post

Brittany J. Green(she/her(s)) (b. 1991) is a North Carolina-based composer, performer, and educator. Described as “a creative force of attention-seizing versatility” (The Washington Post) and “cinematic in the best sense” (Chicago Classical Review), Brittany's music works to facilitate collaborative, intimate musical spaces that ignite visceral responses. The intersections between sound, video, movement, and text serves as the focal point of these musical spaces, often questioning and redefining the relationships between these three elements. Recent works engage sonification and black feminist theory as tools for sonic world-building, exploring the construction, displacement, and rupture of systems.

Brittany’s research and creative interests include contextualizing the work of Julius Eastman through the lens of queer and critical race theory. Her music has been featured at concerts and festivals worldwide including the Boulanger Initiative’s WoCo Fest, the Society of Composers National Conference, New York City Electronic Music Festival, SPLICE Institute, and Experimental Sound Studio. She has presented research at the North Carolina Music Educators Association Conference, East Carolina University’s Research and Creative Arts Week, and the Darkwater Women in Music Festival. Her collaborators include the International Contemporary Ensemble, JACK Quartet, Transient Canvas, and the Emory University Symphony Orchestra. She has held residencies with Copland House, TimeSlips, and the Young Composer’s Project.

Highlights of the 2024-2025 season include performances with CSO MusicNow, Fayetteville Symphony Orchestra, Wheeling Symphony, Chicago Sinfonietta, Rebekah Heller, and Mark Stevens alongside premieres by the Louisville Orchestra, Jacksonville Symphony Orchestra, Alarm Will Sound, the American Pianists Association and Black Echoes//Brick Ripples, an audio-visual interactive installation created in collaboration with media artist Kate Alexandrite.

Brittany’s music has been awarded the Alarm Will Sound Matt Marks Impact Fund (2023), American Academy of Arts and Letters’ Charles Ives Scholarship (2022), ASCAP Foundation’s Morton Gould Award (2021), and New Music USA’s Creator Development Grant (2021). She holds a BM in Music Education from the University of North Carolina at Pembroke and a MM in Music Composition and Theory from East Carolina University. She is currently in residence at Duke University, pursuing a Ph.D in Music Composition as a Deans Graduate Fellow. In her free time, Brittany enjoys reading poetry, watching basketball, video games, and spending time in front of the bonfire. 

Learn more at www.brittanyjgreen.com.

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Videos

The Durham, NC-based composer and educator is a creative force of attention-seizing versatility. She can light up expansive orchestral landscapes (like the churning primordial soup of In the Beginning) or dig deep with vivacious chamber works such as Against/Sharp, a bracing exploration of Black identity.
Michael Andor Brodeur
,
The Washington Post
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The concert opened with a world premiere of Green’s engaging new work for orchestra, TESTIFY! The tightly focused, eight-minute work for full orchestra features delightfully buoyant rhythms and a joyful tambourine. TESTIFY! showed the Jacksonville Symphony and its audience embracing a world centered on musical memory, maternal influence and bodily shouts and dances. With Green’s inspiring compositional vision so convincingly embraced, the Symphony heralded a new era of the Classical Series’s depth and relevance.
Matt Bickett
,
The Recorder
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On a stage full of talent, Green proved to be the bright particular shinning star.
George B. Parous
,
OnStage Pittsburgh
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Her writing is cinematic in the best sense: gestural, minimal yet detailed, but packing an emotional wallop
Hannah Edgar
,
Chicago Classical Review
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