Tobias Picker is an American composer whose music has been described as “displaying a distinctively soulful style that is one of the glories of the current musical scene” and “one of the most consistently interesting among the present generation of US theatre composers” (BBC Music Magazine), “a genuine creator with a fertile unforced vein of invention” (The New Yorker), and “our finest composer for the lyric stage” (Wall Street Journal).

He was the recipient of the 2020 Grammy Award for “Best Opera Recording” for his family opera, Fantastic Mr. Fox (BMOP Sound). Picker’s operas have been commissioned by Theater St. Gallen (Lili Elbe), Santa Fe Opera (Emmeline), LA Opera (Fantastic Mr. Fox), Dallas Opera (Thérèse Raquin), The Metropolitan Opera (An American Tragedy), San Francisco Opera (Dolores Claiborne), and Opera Theatre Saint Louis (Awakenings). The chamber version of Thérèse Raquin was premiered at The Royal Opera House’s Linbury Theater. His orchestral music has been performed by major American orchestras including the New York Philharmonic, The Philadelphia Orchestra, the Chicago Symphony, and the Cleveland Orchestra, as well as the Munich Philharmonic, Zurich Tonhalle Orchestra, and at the BBC Proms. Picker served as Artistic Director of Tulsa Opera from 2016-2022, during which time he cast Lucia Lucas as Don Giovanni, the first transgender opera singer in a leading role on the American stage, as well as producing Greenwood Overcomes, a concert featuring works by 23 Black composers in observance of the 2021 Tulsa Race Massacre Centennial. He and his partner of 44 years, novelist and neuroradiologist Aryeh Lev Stollman, were married by Supreme Court Justice Ruth Bader Ginsburg. His music is published exclusively by Schott.

Learn more at tobiaspicker.com.

videos & other media

Tobias Picker is an American composer whose music has been described as “displaying a distinctively soulful style that is one of the glories of the current musical scene” and “one of the most consistently interesting among the present generation of US theatre composers” (BBC Music Magazine), “a genuine creator with a fertile unforced vein of invention” (The New Yorker), and “our finest composer for the lyric stage” (Wall Street Journal).

He was the recipient of the 2020 Grammy Award for “Best Opera Recording” for his family opera, Fantastic Mr. Fox (BMOP Sound). Picker’s operas have been commissioned by Theater St. Gallen (Lili Elbe), Santa Fe Opera (Emmeline), LA Opera (Fantastic Mr. Fox), Dallas Opera (Thérèse Raquin), The Metropolitan Opera (An American Tragedy), San Francisco Opera (Dolores Claiborne), and Opera Theatre Saint Louis (Awakenings). The chamber version of Thérèse Raquin was premiered at The Royal Opera House’s Linbury Theater. His orchestral music has been performed by major American orchestras including the New York Philharmonic, The Philadelphia Orchestra, the Chicago Symphony, and the Cleveland Orchestra, as well as the Munich Philharmonic, Zurich Tonhalle Orchestra, and at the BBC Proms. Picker served as Artistic Director of Tulsa Opera from 2016-2022, during which time he cast Lucia Lucas as Don Giovanni, the first transgender opera singer in a leading role on the American stage, as well as producing Greenwood Overcomes, a concert featuring works by 23 Black composers in observance of the 2021 Tulsa Race Massacre Centennial. He and his partner of 44 years, novelist and neuroradiologist Aryeh Lev Stollman, were married by Supreme Court Justice Ruth Bader Ginsburg. His music is published exclusively by Schott.

Learn more at tobiaspicker.com.

Photos

No items found.

Videos

K. Robert Schwarz
,
Tobias: The New York Times
Read More
An iridescent experience, moving in its truthfulness
Egbert Tholl
,
Süddeutsche Zeitung
Read More
Emmeline remains one of the best operas written in the past 25 years.
Heidi Waleson
,
The Wall Street Journal
Read More
The opera is a fitfully inspired creation. Picker’s harmony flirts with traditional tonality without falling prey to cliché, his orchestration achieves both transparency and power, and his crowd scenes skillfully set solo voices against a booming chorus and a churning orchestra. It’s a pleasure to listen to him put one idea in front of another.
Alex Ross
,
The New Yorker
Read More
Displaying a distinctively soulful style that is one of the glories of the current musical scene...One of the most consistently interesting among the present generation of US theatre composers.
,
BBC Music Magazine
Read More
Our finest composer for the lyric stage.
,
Our finest composer for the lyric stage.
Read More
A genuine creator with a fertile unforced vein of invention.
,
The New Yorker
Read More